It’s been three decades since David Fincher began making some of the best thrillers in the business. Fight Club, Zodiac, The Social Network, and Gone Girl are just a few of Fincher’s most impressive works, which began with Aliens 3.
The Killer, a Netflix production, looks like it will be another classic in his filmography. When it comes to Fincher’s films, he’s renowned as a demanding perfectionist who requires multiple takes to be satisfied.
Film noir and dramas are among Fincher’s favorites, which he has shared with the public throughout the years. They shed light on how he has evolved as a storyteller over time.
Unreliable narrators and desaturated hues abound, as do stories about loneliness and the gloomy side of modern life—all hallmarks of David Fincher’s films. As a result, this is an excellent choice for thriller aficionados!
The ‘Paper Moon’ (1973)
Peter Bogdanovich’s comedy-drama focuses on a conman (Ryan O’Neal) and his daughter (Tatum O’Neal) as they struggle to survive in Kansas and Missouri in the 1930s. Even in real life, the two protagonists were father and daughter.
Tatum became the youngest-ever winner of an Academy Award for Best Supporting Actress when she took home the statuette for her work in the film The Help.
One of Fincher’s all-time favorites is Paper Moon. As for its “relentlessly human writing” and László Kovacs’s “beautiful evocation of Depression-era America,” he said, “It’s a wonderful movie.”
Daylight Saving Time (1978)
Terrence Malick’s second feature film, following 1973’s Badlands, is Days of Heaven. After being hired as farmhands by a wealthy farmer, Bill (Richard Gere) and his girlfriend Abby (Brooke Adams) begin their relationship.
As a result of Bill’s discovery that the farmer is ailing, he concocts a plan for Abby to marry the farmer in order to gain the farmer’s money upon his death.
Days of Heaven was first met with ambivalent reviews, but it has now earned acclaim as one of the best films of the ’70s decade. Even if you’re not a huge fan of Ennio Morricone’s music, the cinematography by Néstor Almendros and Haskell Wexler is worth seeing.
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The Love Witch (2016)
In The Love Witch, Samantha Robinson stars as a sorcerer who hypnotizes men into falling in love with her. The movie is a spoof of classic horror and melodrama films from the ’60s. Inspired by Hammer Horror, Hitchcock films, and Douglas Sirk’s dramatic works.
This film, directed by Anna Biller, faithfully re-creates the aesthetics of those classics. The performances, especially Robinson’s, are perfectly stiff and over-the-top.
The Love Witch’s campy, stylized concept hides a sophisticated examination of relationships and gender dynamics. Filmmaker David Fincher described it as one of the “most enjoyable, strangest films of the last few decades”.
“The Year of Dangerously Living” (1982)
With Mel Gibson and Sigourney Weaver as reporters and diplomats in Indonesia in 1965, this film explores the country’s most turbulent period.
Suharto was appointed as military ruler after an army-led coup that year removed the president. As the violence increases, the main characters must find a way to stay afloat.
It’s an eye-opening look at a pivotal period in Indonesian history in “The Year of Living Dangerously.” While this should have been a dry history lesson, director Peter Weir (probably best known for The Truman Show) manages to convert it into an exciting thriller. Gibson and Weaver’s romance is also handled properly.
‘An American Graffiti’ (1973)
They are a bunch of teenagers in 1962, and American Graffiti tells their journey of coming of age. A group of high school seniors is driving about Modesto, California, listening to the radio and pondering their future plans once they graduate.
From the music to the clothing to the lingo, the film recreates the pop culture of that era. In the process, it captures a hopeful time before the hard realities of the late 1960s and early 1970s kicked in, such as the assassination of JFK and the Vietnam War.
American Graffiti was George Lucas’ second film as a director. Lucas became a multi-millionaire thanks to the success of the film. As a result of this, he was able to start Industrial Light & Magic, which he used to create the groundbreaking film Star Wars in 1977.
A ‘French Connection’ movie (1971)
This classic crime film recounts the pursuit of a French drug courier by two police officers. Gene Hackman and Roy Scheider star as the film’s lead cops, and they are excellent in their roles.
In 1972, The French Connection swept the Oscars, earning Best Screenplay, Best Actor, Best Director, and Best Picture for its screenplay, acting, and direction.
To this day, The French Connection holds up. Among William Friedkin’s finest works are The Exorcist and Sorcerer. Director of photography Owen Roizman took a risk with the film’s pioneering vehicle chase sequence. In Fincher’s estimation, the car pursuit was “the best in cinema.”
In ‘All the President’s Men’ (1976)
As depicted in All the President’s Men, Carl Bernstein and Bob Woodward were the two journalists that broke the Watergate story, which led to Richard Nixon’s resignation.
To tell this story of corruption and abuse of power, they had to risk their lives to meet with an insider government official called “Deep Throat.”
Robert Redford and Dustin Hoffman’s leading roles in this film are among the best of their careers. As a result, we have the ultimate film about journalism, which has influenced films like Frost/Nixon and The Post since. Rewatching this film now is a great way to remember the 50th anniversary of Watergate’s break-in.
“The Graduate” (1967)
Benjamin Braddock (Dustin Hoffman) is an aimless young man who has an affair with an older married woman (Anne Bancroft) before falling in love with her daughter. This classic comedy concentrates on Braddock’s relationship with Anne Bancroft (Katharine Ross).
The plot succeeds primarily because of Hoffman’s appealing performance as the clumsy Braddock. The Graduate was popular on release, garnering director Mike Nichols an Oscar for his efforts, and remains beloved to this day.
Additionally, Simon and Garfunkel’s ‘Mrs. Robinson is used in The Graduate. When Hoffman rides an airport travelator while “The Sound of Silence” plays in the movie’s title sequence, it’s instantly recognizable.
This is known as “Animal House” (1978)
John Belushi starred in this riotous frat comedy about a fraternity’s battle with its stern dean (John Vernon). If the students are expelled, they will be available for enlistment in Vietnam as well as the termination of their academic careers.
It was the first frat movie and one of the best 1970s comedies. It was widely panned when it was first released but has since been hailed as a modern masterpiece.
Donald Sutherland plays a stoner, and a teenage Kevin Bacon has a few memorable sequences alongside Belushi. Just another wacky and exciting film from John Landis (An American Werewolf in London, The Blues Brothers), whose cult following continues to grow.
Chance (Peter Sellers) is a gardener who works for a wealthy and spends years taking care of his property. Chance is forced to leave the mansion after the owner’s death.
While he’s wandering aimlessly, a group of politicians and businessmen mistakenly believe he’s a genius. One thing leads to another, and before long, Chance is providing advice to some of the country’s most influential figures, including the president.
The Last Detail, starring Jack Nicholson, and Shampoo, starring Warren Beatty, were both directed by Hal Ashby, who also helmed Being There. In the major part, Peter Sellers is simply electrifying.
One of his final flicks, and he’s at the peak of his hilarious abilities here. He has a lot to work with in the writing. When it comes to modern American politics, anyone who sounds even a little bit reasonable can rise to the top.